Critical Biography Filmography Reviews Bibliography
Mak, Yan-yan Gorretti – Critical Biography Top
Mak Yan-yan studied filmmaking at the Hong Kong Academy for Performing Arts (HKAPA), entering the industry after she graduated in 1993. She worked behind-the-scenes in various capacities over the course of the decade, accumulating experience in order to make her feature film debut in 2001 with GeGe (Brother, 2001), co-winner of the International Federation of Film Critics (FIPRESCI) award at the 2001 Hong Kong International Film Festival. Shot on digital video, the low-budget indie production followed the story of a young man from Hong Kong who travels in search of his missing brother to a remote region in the northwest Chinese province of Qinghai. The film played at the Venice Film Festival’s Critics Week section, where it was warmly received. It was also selected for inclusion in the 2002 Rotterdam Film Festival.
While GeGe received some critical acclaim, it took nearly three years before Mak was able to make her second feature as a writer-director. The result was Butterfly (2004), a lesbian drama starring Josie Ho as a married schoolteacher whose infatuation with a young woman awakens memories of a truncated lesbian romance from her teenage years. The film cuts between present-day Hong Kong and the city in 1989, notably making multiple allusions to the June 4th incident in Tiananmen Square, Beijing. The film screened once again at the Venice Film Festival, as part of Critics Week, where it received some positive reviews. Mainland singer Tian Yuan won the Best New Artist award at the 2005 Hong Kong Film Awards for her role as the carefree young woman who captivates Josie Ho’s protagonist. Mak would team up with Tian again for the short film August Story (2006), a literary adaptation about a young woman’s coming-of-age and how she deals with both heterosexual and lesbian desire.
Aside from her feature film work, Mak has regularly collaborated with the Cantopop singer Denise Ho (HOCC), for whom she has directed a series of music videos. In 2008, they collaborated on a documentary project entitled The Decameron (2008), also known under the title of Ho’s accompanying album Ten Days in the Madhouse, in which Ho and Yan visited patients at a mental hospital, exploring the meaning of madness and psychiatric conditions within the context of present-day Hong Kong. In addition to her regular collaborations with Ho, Mak has also worked with the Cantopop bands GrassHopper and SoftHard. Her behind-the-scenes documentary about the collaborative concert held by the two bands in 2012 was entitled The Great War (2012).
Mak’s most recent feature has been the result of a commission from a charitable organization: the Tung Wah Group of Hospitals. Co-directed by Mak and Clement Cheng (Gallants), Merry-Go-Round (2010) pairs veteran performers (Teddy Robin, Nora Miao) with young newcomers (Ella Koon, Lawrence Chou) in a story that relates in part the charitable work done by the Tung Wah Group. With a flashback structure that divides its narrative between present-day and 1950s Hong Kong, the film attracted generally positive reviews when it played at the 2011 Rotterdam Film Festival.
Filmography Top
Feature Films:
Role |
Title (English) |
Title (Chinese) |
Year |
Director | The Great War | 大戰 | 2013 |
Co-directed with Clement Cheng, Si-Kit Clement Writer Producer | Merry-Go-Round (Trailer) | 東風破 | 2010 |
Co-directed with Denise Ho | The Decameron (Trailer) | 十日談 | 2008 |
Producer | Breeze of July (Trailer) | 七月好風 | 2007 |
Director Writer Producer | Butterfly (Trailer) | 蝴蝶 | 2004 |
Assistant director | Fall For You | 囍歡您 | 2001 |
Production manager | Leaving in Sorrow | 憂憂愁愁的走了 | 2001 |
Director Writer Producer | GeGe (Brother) | 哥哥 | 2001 |
Production manager | Love Will Tear Us Apart | 天上人間 | 1999 |
Shorts:
Role |
Title (English) |
Title (Chinese) |
Year |
Director | Numbers | 2019 | |
Director | 家·用 | 2015 | |
Director | 借事‧情 | 2012 | |
Director | Slight @ Love More HK (Full movie) | Slight @ 你還可愛麼? | 2011 |
Director | 2 Cartons of Alphabet H | — | 2006 |
Producer | August Story | 八月的故事 | 2005 |
Director | The Body of Book | — | 2003 |
Director | — | 了了 | 1998 |
Director | — | 100%G | 1995 |
Reviews Top
Merry-Go-Round (2010) Reviews:
Asia Movie Web:
http://www.asianmovieweb.com/en/reviews/merry-go-round.htm
Love HK Film:
http://www.lovehkfilm.com/reviews_2/merry_go_round_2010.html
Variety:
http://variety.com/2010/film/reviews/merry-go-round-1117943886/
Breeze of July (2007) Reveiews:
Love HK Film:
http://www.lovehkfilm.com/reviews_2/breeze_of_july.htm
So Good Reviews:
http://www.sogoodreviews.com/reviews/breezeofjuly.htm
Butterfly (2004) Reviews:
Love HK Film:
http://www.lovehkfilm.com/reviews_2/butterfly.htm
Variety:
http://variety.com/2004/film/reviews/butterfly-3-1200531172/
Fall for You (2001) Reviews:
Love HK Film:
http://www.lovehkfilm.com/reviews/fall_for_you.htm
GeGe (2001) Reviews:
Variety:
http://variety.com/2001/film/reviews/brother-5-1200553126/
Bibliography Top
- Cheung, Esther M. K. “Authenticity and Independence: Fruit Chan and Independent Filmmaking.” Cheung, Esther M. K. Fruit Chan’s Made in Hong Kong. Hong Kong: Hong Kong University Press, 2008. 21-38.
- Cheung, Esther M. K., Gina Marchetti and See-Kam Tan. “Hong Kong Screenscapes: An Introduction.” Hong Kong Screenscapes: From the New Wave to the Digital Frontier. Ed. Esther M. K. Cheung, Gina Marchetti and See-Kam Tan. Hong Kong: Hong Kong University Press, 2011. 1-14.
- Leung, Helen Hok-sze. “Between Girls.” Leung, Helen Hok-sze. Undercurrents: Queer Culture and Postcolonial Hong Kong. Vancouver: UBC Press, 2008. 40-64.
- Martin, Fran. “Critical Presentism: New Chinese Lesbian Cinema.” Martin, Fran. Backward Glances: Contemporary Chinese Cultures and the Female Homoerotic Imaginary. Durham: Duke University Press Books, 2010. 147-149.
- Suda, Kimiko. “Ann Hui’s All about Love: New Perspectives on Gender, Kinship and Sexualities in Hong Kong.” Chinese Identities on Screen. Ed. Klaus Mühlhahn and Clemens von Haselberg. Zurich: Lit Verlag, 2012. 100-110.
- Wang, Lingzhen. “Chinese Women’s Cinema.” A Companion to Chinese Cinema. Ed. Yingjin Zhang. Malden: Wiley-Blackwell, 2012. 318-345.
- Wong, Ken. Routledge International Encyclopedia of Queer Culture. Ed. David A. Gerstner. London: Routledge, 2006. 208-282.
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